Iago. Meanness, villainy, devilry…spite. His villainy inflamed by changing motives, Iago plays his spitefulness for sport.
Othello · William Shakespeare · 1603
Norton, 2008 · 82 pages, hardcover
♠
William Shakespeare based Othello on a work by the Italian writer Cinthio. In the original Iago seeks retribution for his wife’s disloyalty, and it becomes a drama driven by vengeance. In Shakespeare’s version this motive is diluted: the affair between Iago’s wife, Emilia, and Othello is only a supposition (Iago admits to as much and Emilia makes light of the rumor). It’s no more than barracks banter and is hardly alluded to in the play.
Iago’s evilness is more terrifying and Othello a more difficult work for this revision. Othello isn’t a drama about jealousy or vengeance anymore; it’s a drama about manipulation and the fortitude of rumors and lies. Continue reading