The Girl with the Dragon Tattoo (whose original Swedish title, Män som hatar kvinnor, translates to Men Who Hate Women) lives far beyond the confines of its nearly 600 pages because, as sensationalist as a few of Larsson’s scenes are, we know them to be real torments in this present world. Sadists exist. They hide their hobby well. The world goes on. Stieg Larsson’s thriller is a punch in the face that we understand that reality.
Henrik Vanger, CEO of Vanger Corporation, hires Mikael Blomkvist, a reporter reeling from a recent libel conviction, to look into his niece Harriet’s disappearance. It’s a case that has tried the patience of the investigating cops (and others in the Vanger family) and that has become Henrik’s obsession for the past 40 years. Blomkvist pokes around in the Vanger family chronicle, at first merely indulging Henrik his obsession, but bit by bit he uncovers new evidence until everything just blows up toward the end and Larsson shows us what he’s capable of writing.
Harriet’s disappearance is only one part to the crime, and it’s a crime that just won’t quit.