Lois Lowry: The Giver

For Hamlet, death was the great equalizer: kings and slaves decay just the same. But for Lois Lowry, in her regimented community of The Giver, it’s life that’s the leveler of men.

Lowry, the GiverThe Giver · Lois Lowry · 1993
Houghton Mifflin Harcourt, 2014 · 225 pages, paperback

The Giver peeks into a hermetically sealed life, one lived entirely, to use today’s jargon, within a safe space. The Giver shows us that the results of strict equality and protected contentment are extraordinarily far from the imagined kumbaya.

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Red Sparrow is red herring espionage

Reading Jason Matthews’ spy novel Red Sparrow is like wrapping Le Carré around a dime store romance, a reputable disguise for when you’re embarrassed to be seen with it. Red Sparrow is a thriller for appearances’ sake only (and because CIA men don’t write romance)? A shame – because Matthews has real talent.

Matthews, Red SparrowRed Sparrow · Jason Matthews · 2013
Scribner, 2014 · 431 pages, paperback

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Sickness, Thomas Mann and the nihilism of reality

Mann, the Magic MountainThe Magic Mountain · Thomas Mann · 1924
John E. Woods translation · Vintage, 1996 · 720 pages, paperback

There are few novels that give sickness its due. There are even fewer that play with it as a state of mind or treat it as the defunct policy of nation states.

Though Thomas Mann began work on The Magic Mountain in 1912 when he visited his ailing wife at a sanatorium (which served as the model for the Berghof of his novel), his writing soon bent to a different angle when war broke out two years later. By the time he completed it in 1924, the sickness of the body had become further distorted into the sickness of the body politic, and his novel became a reification of the period’s irrationalism. Continue reading

¿Que dijiste?

Comemadre feels like a troll, and we can’t figure out if Larraquy is an actual proponent of the prurient, the shocking, the crass and irreverent in modern art, or if he’s cleverer than all of us and having a damn good time with parody. Either way, Larraquy took exhibitionist art and made it literary.

ComemadreComemadre · Roque Larraquy · 2010
Heather Cleary translation · Coffee House Press, 2018 · 129 pages, paperback

Where is the tipping point that turns life into unlife? What does that infinitesimally small tick on the clock feel like, sound like, taste like? And can we replicate it for the living?

Argentinian author Roque Larraquy’s novel is a century’s quest for understanding the in-between. Larraquy sweeps religion aside, turns a deaf ear to the philosophers and rejects blasé methods of questioning. Instead he approaches the metaphysical realm from a purely physical standpoint, dabbling first in guillotines and then moving on to live installation art. Through the length of his novel, the body is central to his question.

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Interlude: end of Q3 (year 2!) at the Masthead!

Another three months in the Masthead’s second year of reviews! And just what have these months brought us?

Books reviewed: 4
Translated fiction: 2 (from 2 languages, Japanese and Italian)
New-to-me authors: 2 (Tanizaki and Boccaccio)
Oldest book: Boccaccio’s Mrs. Rosie and the Priest (1348-’53)
Newest book: King’s The Stand (1975/1988)
Longest book: King’s The Stand (1153 pages)
Shortest book: Boccaccio’s Mrs. Rosie and the Priest (54 pages)

As always, a pithy recap of each book read and reviewed here since July 15:
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Pocketful of innuendo

Fifty-four pages of “pimps, cuckolds, lovers and clever women” (as its rear proudly advertises) – a mere snippet to the full Decameron. A handful of minutes is all we need to romp about in these short and saucy tales.

Boccaccio, Mrs RosieMrs. Rosie and the Priest (from the Decameron) · Giovanni Boccaccio · 1348-‘53
Peter Hainsworth translation · Penguin, 2015 · 54 pages, paperback

This pocketsize book from Penguin, first in the publisher’s line-up of 126 minor works from major writers, includes four stories from Boccaccio’s Decameron. No introduction, nor even a whiff of context, substantiates its content, and the result is a picture of Boccaccio as a street bawler in tight leggings, pulling the ears of passersby and peddling lewd tales.

It’s quite delectable.

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Decline of a family

Tanizaki, Makioka SistersThe Makioka Sisters · Junichirō Tanizaki · 1946-‘48
Edward Seidensticker translation · Everyman’s Library, 1993 · 498 pages, hardcover

The year is measured by the Kyoto cherry blossoms, the uptick in cases of beri-beri, the annual visit of the Kabuki actor Kikugorō and the failed miai coloring Yukiko’s pursuit of marriage.

The Makioka Sisters has a steady cadence.

It’s good then that Junichirō Tanizaki was meticulous with his pen because his Makioka Sisters also has a steady repetition. Its mark is subtlety. Its direction is stagnant. Its view is inward. Its tone is one of depressive anxiety. Emphasized is the passage of time for a family that cannot wrench itself from the past and which, far from moving forward, only eddies its descent.

And finally, one year, it is too late even for the blossoms in Ormura. Continue reading

The makings of a man

This Side of Paradise forces the tremendous personality Amory Blaine into extreme dissipation and, finally, a man.Fitzgerald, This Side of Paradise 2

This Side of Paradise · F. Scott Fitzgerald · 1924
Penguin Classics, 1996 · 267 pages, hardcover

It has swagger to it. It has the necessary snark for dividing Princeton’s student body into try-hard intellectuals (Slickers aka hipsters) and moneyed followers (Big Men on Campus aka basic bitches). Continue reading