The Masthead will be celebrating its first birthday tomorrow, January 15 – here’s the final breakdown of books read and reviewed in 2017:
Books reviewed: 34
Pages read: 12,487
Longest book: King’s It (1153 pages)
Shortest book: Shakespeare’s Othello (82 pages)
The full breakdown? Here’s a look:
Translated fiction: 13 (from 7 languages: Arabic, French, German, Russian, Spanish, Swedish and Turkish)
New-to-me authors: 21 (everyone excepting Capote, Dostoevsky, Hemingway, King, Mahfouz, Rushdie, Shakespeare and Vonnegut)
Oldest book: Shakespeare’s Othello (1603)
Newest book: Tóbín’s House of Names (2017; Auster’s 4321 was also published in 2017 but earlier in the year)
And as always, a quick recap of each book read and reviewed here over the past three months (find all of this year’s reviews linked in the review archive):
The Girl with the Dragon Tattoo, Stieg Larsson
A sound opener to Larsson’s Millenium series: he’s piqued our interest in the non-cheapskate way: the main story of this first novel wraps up by the end; it’s his characters who demand us to pick up the second. Intricate plotting, strong characters and a good mystery (or two: Salandar’s her own mystery really).
Steppenwolf, Hermann Hesse
This one’s a wild read! A little carnival veneer slicks up some good German philosophizing. Hesse had a good bit to say about defining your life, and he said it in an entertaining way.
The Nest, Cynthia D’Aprix Sweeney
Amateur writing and an insipid story about the loss of some trust fund money combine in this contemporary to make you roll your eyes. That said, this author could probably do some good work if she were to take a risk with her writing; this one’s too conventional to stand out.
2666, Roberto Bolaño
Vulgar in the most pristine way and a real maze of clever writing, this one’s a rough read and all the better for it: its loose plotting and open structure are both to its credit.
Hangover Square, Patrick Hamilton
A modern-sounding novel from the blackout London of WWII, Hamilton writes split-personality perfectly and makes you adore his very messed-up George Harvey Bone.
The Garden of Eden, Ernest Hemingway
True Hemingway style for how the story takes shape (i.e. between the lines).This one has a lot to say about love and about being your own person. But know this: it’s a weaker novel than his more major works.
The End of Days, Jenny Erpenbeck
There’s not even the suggestion of cheerfulness in this one: a novel beautifully written and describing through the deaths (yes, multiple) of one girl the havoc of 20th century Central Europe and the East-West divide.
What’s first in the new year? John Steinbeck’s short story collection, The Long Valley (expected publication date for review is
January 19 *edit: January 21); Graham Greene’s Orient Express and Susanna Clarke’s Jonathan Strange and Mr. Norrell. Cheers!
Browse the review archive