Reading The Adolescent and gossip ain’t ever gonna die.
Reading The Adolescent and gossip ain’t ever gonna die.
A fraught topic, no? Yikes. I’ll bite.
Another three months in the Masthead’s second year of reviews! And just what have these months brought us?
Books reviewed: 4
Translated fiction: 2 (from 2 languages, Japanese and Italian)
New-to-me authors: 2 (Tanizaki and Boccaccio)
Oldest book: Boccaccio’s Mrs. Rosie and the Priest (1348-’53)
Newest book: King’s The Stand (1975/1988)
Longest book: King’s The Stand (1153 pages)
Shortest book: Boccaccio’s Mrs. Rosie and the Priest (54 pages)
As always, a pithy recap of each book read and reviewed here since July 15:
Sunday marked the halfway point for the Masthead’s second year of reviews! As always, here’s a quick look at the past three months:
Books reviewed: 5
Translated fiction: 2 (from 2 languages, Japanese and French)
New-to-me authors: 5 (all were new!)
Oldest book: Dumas’ The Three Musketeers (1844)
Newest book: Smith’s White Teeth (1999)
Longest book: Dumas’ The Three Musketeers (704 pages)
Shortest book: Dick’s Do Androids Dream of Electric Sheep? (224 pages)
A pithy recap of each book read and reviewed here since April 15:
You know those recommendation sites where you plug in the books that captured your heart and they spew out a list of supposed good reads for your reading pleasure? Like, let’s say I type in The Brothers Karamazov and A Farewell to Arms. I eagerly wait the .233306 seconds for the list of books and what do mine eyes espy? A recommendation list that proudly looks back at me with Crime and Punishment, Notes from Underground, The Sun Also Rises and maybe Anna Karenina or another token.
Well….no shit. (Though I don’t know what I was expecting, really.)
Anyway, I categorized the books I’ve reviewed here and maybe that will be a little more helpful (see that shiny new “Recommendations” tab up there?). Here’s the caveat: I listed every book I’ve reviewed, even the ones I loathed. Did I like Orhan Pamuk’s Snow? Pretty sure I hated it, but hey, you might think it’s just the ticket.
And by summer reading I mean both the book list and the vibe.
The first quarter of the Masthead’s second year is drawing to a close – a quick look at the past three months:
Books reviewed: 8 (7 novels and one collection of short stories, Steinbeck’s The Long Valley)
Translated fiction: 2 (from 1 language, Russian)
New-to-me authors: 5 (Buckley, Clarke, Greene, Obioma and Tartt)
Oldest book: Tolstoy’s The Death of Ivan Ilyich (1886)
Newest book: Obioma’s The Fishermen (2016)
Longest book: Clarke’s Jonathan Strange & Mr. Norrell (1006 pages)
Shortest book: Tolstoy’s The Death of Ivan Ilyich (52 pages)
A pithy recap of each book read and reviewed here since January 15:
A recent trip to Half Price Books and a stop at B&N brought in some new reads:
V.S. Naipaul, A House for Mr. Biswas
Giovanni Boccaccio, “Mrs. Rosie and the Priest” (stories from The Decameron)
Dezső Kosztolányi, Skylark
Stephen King, The Stand
Alexandre Dumas, The Three Musketeers
I’ll have reviews for Donna Tartt’s The Little Friend and Chigozie Obioma’s The Fishermen up in the next couple of weeks, but in the meantime I’ve been thinking about the importance of exposition. It was Tartt’s novel that got me thinking about it because she wrote it with such inventiveness in The Little Friend. Continue reading
The Masthead will be celebrating its first birthday tomorrow, January 15 – here’s the final breakdown of books read and reviewed in 2017:
Books reviewed: 34
Pages read: 12,487
Longest book: King’s It (1153 pages)
Shortest book: Shakespeare’s Othello (82 pages)
The full breakdown? Here’s a look:
Translated fiction: 13 (from 7 languages: Arabic, French, German, Russian, Spanish, Swedish and Turkish)
New-to-me authors: 21 (everyone excepting Capote, Dostoevsky, Hemingway, King, Mahfouz, Rushdie, Shakespeare and Vonnegut)
Oldest book: Shakespeare’s Othello (1603)
Newest book: Tóbín’s House of Names (2017; Auster’s 4321 was also published in 2017 but earlier in the year)
And as always, a quick recap of each book read and reviewed here over the past three months (find all of this year’s reviews linked in the review archive):
The Girl with the Dragon Tattoo, Stieg Larsson
A sound opener to Larsson’s Millenium series: he’s piqued our interest in the non-cheapskate way: the main story of this first novel wraps up by the end; it’s his characters who demand us to pick up the second. Intricate plotting, strong characters and a good mystery (or two: Salandar’s her own mystery really).
Steppenwolf, Hermann Hesse
This one’s a wild read! A little carnival veneer slicks up some good German philosophizing. Hesse had a good bit to say about defining your life, and he said it in an entertaining way.
The Nest, Cynthia D’Aprix Sweeney
Amateur writing and an insipid story about the loss of some trust fund money combine in this contemporary to make you roll your eyes. That said, this author could probably do some good work if she were to take a risk with her writing; this one’s too conventional to stand out.
2666, Roberto Bolaño
Vulgar in the most pristine way and a real maze of clever writing, this one’s a rough read and all the better for it: its loose plotting and open structure are both to its credit.
Hangover Square, Patrick Hamilton
A modern-sounding novel from the blackout London of WWII, Hamilton writes split-personality perfectly and makes you adore his very messed-up George Harvey Bone.
The Garden of Eden, Ernest Hemingway
True Hemingway style for how the story takes shape (i.e. between the lines).This one has a lot to say about love and about being your own person. But know this: it’s a weaker novel than his more major works.
The End of Days, Jenny Erpenbeck
There’s not even the suggestion of cheerfulness in this one: a novel beautifully written and describing through the deaths (yes, multiple) of one girl the havoc of 20th century Central Europe and the East-West divide.
What’s first in the new year? John Steinbeck’s short story collection, The Long Valley (expected publication date for review is
January 19 *edit: January 21); Graham Greene’s Orient Express and Susanna Clarke’s Jonathan Strange and Mr. Norrell. Cheers!