The legno trundles through the turns in a wood that lead, ascending, to the small, picaresque, dirty Italian town of Monteriano and, within its walls, to Lilia and to Gino, devil’s temptation.
Where Angels Fear to Tread · E.M. Forster · 1905
Everyman’s Library, 2011 · 250 pages, hardcover
Philip Herriton is half-mad with indignation that Lilia, widow to his brother Charles, should have her head turned by an ass with all the charms of precocious desire. To put a stop to a very bad and very thoughtless marriage, Philip leaves behind the straight-laced ways of England and comes out on the side of a village whose character is one that throbs with impulsivity and slumbers in its laziness.
Wilkie Collins’ The Woman in White hinges on identity, forgery and rank suspicion, suspicion that gets the better of us and makes us rash instead of rational.
The Woman in White · Wilkie Collins · 1860
Penguin, 2009 · 672 pages, hardcover
The Woman in White is both a sensationalist thriller and a social commentary. Collins takes his shots at the marriage laws and rules of inheritance of 1850s England, and he provides a creeping horror alongside it, the same kind of horror where you realize how very trapped you are and how powerless you are to get out. A close marriage, the words invalid and invalidate.
That pernicious horror doesn’t confine itself to money, nor even to love, but asserts itself as an erasure of recognition, and this erasure necessitates a different kind of forgery – that of reclamation and the forging of a new life.