For an author known to upend the conventional to suit her purpose, Margaret Atwood missed the mark with Alias Grace. History called the shots in this one, and perhaps such a restraint proved too large a hurdle.
The 1843 murder of the gentleman Thomas Kinnear and his housekeeper mistress Nancy Montgomery is lifted from the historical record, along with the characters of Grace Marks, the titular murderess, and James McDermott, her alleged co-conspirator.
Ripe and festering with a young girl’s maligned reputation, shifting identities, lunacy and crime, the Kinnear-Montgomery double murder should have been putty in the hands of Atwood, normally a convincing author as well as temptress to the imagination and one who has tricks for curling the corners of her sentences into sly little images…but putty it proved not to be. Continue reading