Down with Big Brother!

Orwell, 19841984 · George Orwell · 1949
Berkley, 2003 · 323 pages, paperback

George Orwell’s 1984 is such a well-rubbed thing that there isn’t much left to say about it. It’s also a much-abused thing, the Bible of oath for fear mongers everywhere and university slicks goading their hordes of vacant-eyed activists.

So let’s step back a little, take a swig of that Victory Gin and let the juniper swallow the swill. Continue reading

Zadie Smith, White Teeth

White TeethWhite Teeth · Zadie Smith
Random House, 2000 · 448 pages, paperback

The Iqbals: Samad and Alsana and their twin sons, Magid and Millat.
The Joneses: Archie and Clara and their daughter, Irie.

White Teeth is the story of these two families, brought together by a wartime bond as solid and true as Clara’s set of pearly whites, a set that she pops out every night. Continue reading

Tarred and feathered

Buckley puffs out the talking points of both sides in the tobacco wars, and the result is ludicrous and delightfully incorrect in this day of safe spaces – thank YOU for daring, Mr. Buckley.

Thank You for SmokingThank You for Smoking · Christopher Buckley · 1994
Random House, 2006 · 272 pages, paperback

Nick Naylor is the PR guy for Big Tobacco in Christopher Buckley’s Thank You for Smoking, a laugh-out-loud satire that’s funny because it’s true.

Continue reading

Political theater, poetic farce

Orhan Pamuk’s Snow begins as a novel that had a good shot at feeding the intellect but instead contorted itself into a soap opera complete with convenient fixes for its weaknesses.Snow - Kar

Snow · Orhan Pamuk · 2002
Maureen Freely translation · Vintage, 2005 · 463 pages, paperback

A political coup that manipulates the theater to confuse and gain power? A string of suicides inspired by Turkey’s uncertain position on the East-West divide? An exiled poet who just might find enlightenment in the forsaken streets of his home town? Pamuk’s writing in Snow (originally published in Turkey as Kar) is too placid for the story he wanted to tell. We read the few moments of heightened drama in this novel in a detached way, as if we’re too tired to keep our eyes open and our brains can’t hold onto the words we’re reading: we just don’t care.  Continue reading